Planting a Sequoia

Music by Alva Henderson

Poem by Dana Gioia

All afternoon my brothers and I have worked in the orchard,
Digging this hole, laying you into it, carefully packing the soil.
Rain blackened the horizon, but cold winds kept it over the Pacific,
And the sky above us stayed the dull gray
Of an old year coming to an end.

In Sicily a father plants a tree to celebrate his first son’s birth—
An olive or a fig tree— a sign that the earth has one more life to bear.
I would have done the same, proudly laying new stock into my father’s orchard,
A green sapling rising among the twisted apple boughs,
A promise of new fruit in other autumns.

But today we kneel in the cold planting you, our native giant,
Defying the practical custom of our fathers,
Wrapping in your roots a lock of hair, a piece of an infant’s birth cord,
All that remains above earth of a first-born son,
A few stray atoms brought back to the elements.

We will give you what we can— our labor and our soil,
Water drawn from the earth when the skies fail,
Nights scented with the ocean fog, days softened by the circuit of bees.
We plant you in a corner of the grove, bathed in western light,
A slender shoot against the sunset.

And when our family is no more, all of his unborn brothers dead,
Every niece and nephew scattered, the house torn down,
His mother’s beauty ashes in the air,
I want you to stand among strangers, all young and ephemeral to you,
Silently keeping the secret of your birth.

Rough Country

by Dana Gioia

Give me a landscape made of obstacles,
of steep hills and jutting glacial rock,
where the low-running streams are quick to flood
the grassy fields and bottomlands.
A place
no engineers can master–where the roads
must twist like tendrils up the mountainside
on narrow cliffs where boulders block the way.
Where tall black trunks of lightning-scalded pine
push through the tangled woods to make a roost
for hawks and swarming crows.
And sharp inclines
where twisting through the thorn-thick underbrush,
scratched and exhausted, one turns suddenly
to find an unexpected waterfall,
not half a mile from the nearest road,
a spot so hard to reach that no one comes–
a hiding place, a shrine for dragonflies
and nesting jays, a sign that there is still
one piece of property that won’t be owned.

Orchestra

Translated from the Romanian of Nina Cassian by Dana Gioia

Climbing the scales three octaves at a time,
I search for you among the high notes where
the tender flute resides. But where are your
sweet eyelashes? Not there.

Then I descend among the sunlit brasses—
their funnels glistening like fountain tips.
I let them splash me with their streaming gold,
but I can’t find your lips.

Then daring ever deeper I explore
the depths the elemental strings command.
Their bows will not create a miracle
without your stroking hand.

The orchestra is still. The score is blank.
Cold as a slide rule the brasses, strings, and flute.
Sonorous lover, when will you return?
The orchestra is mute.