Posts filed under ‘.audio’

The Traveler

By Mary Oliver

Ricky, your ancesters are from Cuba, right?

Says Ricky, “Sa I’m told.”

But you ere born in Florids?

“I was a baby, how would I know?
But that’s what I’m told.”

And you’ve lived in Massachusetts and other states and also Mexico and now Florida again, and heaven knows what other places you may travel to. Are you an American, or what?

He shrugged his shoulders casually and smiled. “Je suis un chien du monde,” he said.



December 17, 2019 at 8:25 pm Leave a comment

Taroni Heyrur

October 20, 2019 at 8:25 pm Leave a comment

Ruri, ruri

Hasmik Harutyunyan

I believe all music has the same roots. I learn what I can, and when I sing, I remember what I have learned. This enriches and gives color to the music. When I sing, my dreams take wing. I am also a trained mathematician, which helps me understand the meaning and logic of the song. In this way, my music differs from others’.


October 18, 2019 at 8:25 pm Leave a comment

Stay Up Late

Stay Up Late By Maira Kalman

Little Creatures by Talking Heads

Mommy had. A little baby.
There he is. Fast asleep.
He’s just. A little plaything.
Why not. Wake him up?
Cute. Cute. Little baby.
Little pee pee. Little toes.
Now he’s comin’ to me.
Crawl across. The kitchen floor.

Baby, baby, please let me hold him
I want to make him stay up all night
Sister, sister, he’s just a plaything
We want to make him stay up all night
Yeah we do

See him drink. From a bottle.
See him eat. From a plate.
Cute. Cute. As a button.
Don’t you want to make him. Stay up late.
And we’re having fun. With no money.
Little smile. On his face.
Don’t cha’ love. The little baby.
Don’t you want to make him. Stay up late.


Here we go (all night long)
Sister, sister (all night long)
In the playpen…woo…(all night long)
Little baby goes, ha! (all night long)
I know you want to leave me…

Why don’t. We pretend.
There you go. Little man.
Cute. Cute. Why not?
Late at night. Wake him up.


Here we go (all night long)
Sister, sister…woo…
(with the television on)
Little baby goes…woo! (all night long)
Hey, hey, baby! (all night long)
And he looks so cute (all night long)
In his little red suit (all night long)


September 19, 2019 at 8:25 pm Leave a comment

Lullaby for Natalie


June 12, 2019 at 8:25 pm Leave a comment

Strauss For Ever


June 3, 2019 at 6:03 am Leave a comment

Letters from Father Christmas

Every December an envelope bearing a stamp from the North Pole would arrive for J.R.R. Tolkien’s children. Inside would be a letter in a strange, spidery handwriting and a beautiful colored drawing or painting. The letters were from Father Christmas.
They told wonderful tales of life at the North Pole: how the reindeer got loose and scattered presents all over the place; how the accident-prone North Polar Bear climbed the North Pole and fell through the roof of Father Christmas’s house into the dining room; how he broke the Moon into four pieces and made the Man in it fall into the back garden; how there were wars with the troublesome horde of goblins who lived in the caves beneath the house, and many more.
No reader, young or old, can fail to be charmed by Tolkien’s inventiveness in this classic holiday treat.

December 12, 2018 at 8:25 pm Leave a comment

For Children


December 6, 2018 at 8:25 pm Leave a comment

Eternal Echoes

Eternal Echoes for Hanukkah

Itzhak Perlman, universally recognized as one of the world’s greatest classical violinists, has in the last few years devoted himself to serious study of traditional Jewish music. Hankus Netsky teaches at the New England Conservatory and is a pioneer in the revival of Klezmer music. Netsky served as music director for the Sony album “Eternal Echoes: Songs and Dances for the Soul,” a collaboration between Perlman and Cantor Yitzhak Meir Helfgot. Both Perlman and Netsky join host James David Jacobs for an hour of songs and stories for Hanukkah, which includes four selections from their album as well as clips of the historical recordings that influenced them. We’ll also hear about the history of the Jewish hymn “Maoz Tsur,” which later became the Christian hymn “Rock of Ages”; selections from George Frideric Handel’s dramatization of the Hanukkah story, his oratorio Judas Maccabaeus; recordings of both classical and cantorial selections by the legendary tenor Jan Peerce; two musical depictions of a spinning dreidel; Hankus Netsky telling the story of how, thanks to the idiosyncracies of Klezmer music, he became a professional accordion player within a day of his playing the instrument for the first time; Itzhak Perlman talking about the cantorial music he listened to as a child in Israel; and an attempt to convey the experience of making and eating potato latkes through the medium of radio.


December 5, 2018 at 5:25 am Leave a comment

Vivaldi’s Ring of Mystery

In this touching tale, a gifted young violinist is sent to study music at the Pietà orphanage in Venice with the great composer Antonio Vivaldi. It’s Carnival time, magic is in the air and mystery unfolds as Katarina enlists Giovanni, the gondolier, to help in her search to discover her origins.

In a climactic scene, a masked stranger reunites Katarina with her family and she must make an important choice between staying with her music at the Pietà or entering the world.

By Douglas Cowling
Illustrated by Laura Fernandez and Rick Jabobson

Douglas Cowling, a writer, musician and educator, whose most recent publication is Hallelujah Handel, has had great success in bringing classical music to young audiences. In a note to the reader at the beginning of Vivaldi’s Ring of Mystery, he writes:

History is full of people whose voices are not heard and whose words were never written down: women, slaves and children. We have no records from the hundreds of children that he (Vivaldi) taught and to whose lives he gave meaning and beauty, We must use our imagination to hear their hopes and fears, their loneliness and their laughter.

Vivaldi’s Ring of Mystery is set in 18th century Venice, home to the Pieta, a school run by nuns for orphaned student musicians. When 12-year-old Katarina arrives as a new student, she is overwhelmed by the sights and sounds of the floating city. It seems to the young violinist, as she looks around at musicians, tumblers and jugglers, that the whole city has gone mad.

“Why is everyone wearing a mask?” Katarina asked a gondolier.

The young man laughed and gave her a mask to wear.

“Everyone wears a mask during Carnival, Signorina. A rich man can pretend to be a beggar, and a beggar can be a rich man!”

The gondolier introduced himself as Giovanni and helped Katarina into his gondola.

Giovanni takes Katarina through the back canals of Venice to the prison-like building which houses the Pieta. To the young musician’s delight, she discovers a whole orchestra of girls playing every instrument, even those considered by many as “unladylike” such as the bassoon, the trumpet and the timpani. But most thrilling of all is Katarina’s meeting with her new teacher:

Standing before them, a man with fiery red hair nodded his head in time to the music. Then he raised his violin and began to play. The instrument seemed to sing in his hands. The music was everywhere – in her ears, in her head, in her heart.

Katarina realized that it could be none other than the famous composer Antonio Vivaldi!

Don Antonio shows his students a gift from the Duke of Cromona, a beautiful violin case decorated with a picture of a nightingale. Inside is a violin built for the Duke by the most famous violin maker, Signor Stradivarius. The Duke has sent the violin to Venice for the Grand Concert which is being held at the Pieta the next day. Don Antonio explains that many years ago the Duke lost his son, daughter and granddaughter in a shipwreck. Convinced that his granddaughter is still alive, the Duke travels from city to city hoping to find a musician who can play music “so beautiful and so magical that it could call his grandchild back from the mists.”

Katarina is awed by the beautiful instrument and intrigued by the picture of the nightingale on its case, a match for the nightingale on a ring around her neck. Unable to resist the temptation to pick up the precious violin, she is horrified when it slips from her hands and lies broken on the floor. Katarina enlists the help of her friend Giovanni in a desperate attempt to get the priceless instrument repaired and back in time for Don Antonio to play at the Grand Concert. The young people’s journey to retrieve the Stradivarius involves a mysterious thief, a poem and a midnight visit to the Island of the Dead. By the end of the story, the link between Katarina’s nightingale ring and the Duke of Cremona’s violin becomes clear, leaving the young violinist to make a decision that will change her life.


October 22, 2018 at 8:25 pm Leave a comment

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