Posts filed under ‘Lewis Carroll’
All in the golden afternoon
Full leisurely we glide;
For both our oars, with little skill,
By little arms are plied,
While little hands make vain pretence
Our wanderings to guide.
Ah, cruel Three! In such an hour,
Beneath such dreamy weather,
To beg a tale of breath too weak
To stir the tiniest feather!
Yet what can one poor voice avail
Against three tongues together?
Imperious Prima flashes forth
Her edict to “begin it”:
In gentler tones Secunda hopes
“There will be nonsense in it!”
While Tertia interrupts the tale
Not more than once a minute.
Anon, to sudden silence won,
In fancy they pursue
The dream-child moving through a land
Of wonders wild and new,
In friendly chat with bird or beast—
And half believe it true.
And ever, as the story drained
The wells of fancy dry,
And faintly strove that weary one
To put the subject by,
“The rest next time—” “It is next time!”
The happy voices cry.
Thus grew the tale of Wonderland:
Thus slowly, one by one,
Its quaint events were hammered out—
And now the tale is done,
And home we steer, a merry crew,
Beneath the setting sun.
Alice! A childish story take,
And with a gentle hand,
Lay it where Childhood’s dreams are twined
In Memory’s mystic band,
Like pilgrim’s wither’d wreath of flowers
Pluck’d in far-off land.
Alice’s Adventures in Wonderland
150th Anniversary Animated Edition for Tablet Computers
The first-ever film version of Lewis Carroll’s tale has recently been restored by the BFI National Archive from severely damaged materials. Made just 37 years after Lewis Carroll wrote his novel and eight years after the birth of cinema, the adaptation was directed by Cecil Hepworth and Percy Stow, and was based on Sir John Tenniel’s original illustrations. In an act that was to echo more than 100 years later, Hepworth cast his wife as the Red Queen, and he himself appears as the Frog Footman. Even the Cheshire cat is played by a family pet.
With a running time of just 12 minutes (8 of which survive), Alice in Wonderland was the longest film produced in England at that time. Film archivists have been able to restore the film’s original colours for the first time in over 100 years.
Music: ‘Jill in the Box’, composed and performed by Wendy Hiscocks.
This restoration was supported by The Headley Trust and The Pilgrim Trust.
To find out more about the film, visit http://www.screenonline.org.uk/film/id/974410/
“SISTER, sister, go to bed!
Go and rest your weary head.”
Thus the prudent brother said.
“Do you want a battered hide,
Or scratches to your face applied?”
Thus his sister calm replied.
“Sister, do not raise my wrath.
I’d make you into mutton broth
As easily as kill a moth”
The sister raised her beaming eye
And looked on him indignantly
And sternly answered, “Only try!”
Off to the cook he quickly ran.
“Dear Cook, please lend a frying-pan
To me as quickly as you can.”
And wherefore should I lend it you?”
“The reason, Cook, is plain to view.
I wish to make an Irish stew.”
“What meat is in that stew to go?”
“My sister’ll be the contents!”
“You’ll lend the pan to me, Cook?”
Moral: Never stew your sister.
THE ROLE OF CATS IN NURSERY RHYMES
by Sarah Hartwell
I passed by his garden, and marked with one eye,
How the Owl and the Panther were sharing a pie:
The Panther took pie-crust, and gravy, and meat,
While the Owl had the dish as its share of the treat.
When the pie was all finished, the Owl, as a boon,
Was kindly permitted to pocket the spoon:
While the Panther received knife and fork with a growl
And concluded the banquet by [eating the owl]
A nonsense verse (again cats and cutlery!) by Lewis Carroll. Carroll omits the bracketed words – they are left for the reader (or child) to gleefully fill in.